882 – Singing to end the reign (of tyranny)—with more music that’s Just Right

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Oct 162024
 


“It’s culture” say many reacting to the flood of musical memes based on Donald Trump’s “Eating-the-dogs-eating-the-cats” refrain.

In this, our fourth venture into the culture of ‘Music that’s Just Right,’ the significance of the memes have forced us to feature several versions, attesting to a musical phenomenon that is unprecedented. With the American election only a few weeks away, their significance is all the more heightened.

It is remarkable how creative and well-performed so many of these memes are. Even more remarkable is that they are being created at all. For Donald Trump, this represents a massive cultural re-alignment, once again demonstrating the principle that “politics is downstream from culture.”

Of course, our musical spotlight today extends beyond the current “Eating-the-dogs-eating-the-cats” phenomenon. Also featured are several musical voices for freedom from other eras in the history of Western culture. These yet again demonstrate another principle – that history repeats, and that the struggle for freedom is eternal and demands eternal vigilance.

Sometimes that vigilance takes the form of music that’s Just Right.

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840 – Singing against the reign of tyranny—More music that’s Just Right

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Dec 282023
 


As 2023 draws to a close and an anticipated turbulent 2024 comes with an expectation of escalated assaults on individual freedom, one positive trend has been a growing cultural resistance to the tyranny and its many manifestations. If it’s true that politics is ‘downstream from culture,’ then it is beginning to appear that the Left’s dominance of the cultural mosaic is finally encountering some meaningful competition from the Right.

Fundamental to classifying any artistic expression as being Just Right is the understanding that all such expression values individual freedom and/or condemns tyranny.

Increasingly, more and more musical artists are finding themselves on the Right by singing out on behalf of freedom. As both a form of protest and critical analysis, the combination of the Right words with the Right music can prove to powerfully and emotionally reflect the changing zeitgeist of the day in a way otherwise not possible.

Our first two unique and distinctive musical collections defying the propaganda of the day can be found archived on our site with the broadcasts of Just Right-738-December 23, 2021 and Just Right-817-June 29, 2023. It is in the spirit of this growing awakening that we now dedicate a third broadcast devoted to yet another unique and distinctive collection of music that’s Just Right.

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817 – Still singing in the reign (of tyranny) – just music that’s Just Right

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Jun 292023
 


As this year’s Canada Day (July 1) and Independence Day (July 4) approach, it is a tragedy that the freedoms once associated with these celebrations of nationhood no longer exist.

Canadians and Americans alike have found themselves living in a reign of tyranny – justified by fighting Covid and climate change, transgender ideology, racism, identity politics and a whole host of make-believe crisis’ created to hide the real crisis of tyranny itself.

One traditional way to protest tyranny has been to celebrate freedom through music and entertainment. We first featured our own sampling of voices “singing in the reign (of tyranny)” at the end of 2021; it is now mid 2023 and that tyranny still continues to reign.

Therefore in continuing the spirit of both protest and celebration, we are pleased to shower you with our second broadcast entirely dedicated to musical selections where the artists not only have something to “play” but something to “say” about the zeitgeist in which we live.

What better way to celebrate each country’s national heritage – of freedom – than with more music that’s Just Right.

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799 – Brave new normal | John C. A. Manley

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Feb 232023
 


“We have art that we do not die of reality” – Friedrich Nietzsche

Facing one’s fears in a dystopian world requires a kind of courage and bravery that most Canadians have rarely been forced to call upon. In his fiction novel, “Much Ado About Corona – a dystopian love story” our guest John C.A. Manley tells a tale about the emergence of such courage in the midst of an emerging Canadian police state.

Significantly, John’s novel is evidence of the powerful role that art and literature can have in reflecting the “Covid” reality of the world in which we live. Though its plot and characters are fictional, the novel reflects a deep truth about the reality in which Canadians today find themselves, in part thanks to incorporating the narratives and insights of shows like Just Right, which is included among the dozens of references cited in the book.

In helping him expose the “Covidian Lie,” John’s son Jonah has composed and performed a musical commentary of the same name, thereby adding an additional weapon to their arsenal of artistic persuasion.

Cultures are built and identified around the stories, songs, and philosophies that define them, and most such stories tend to blend fact with fiction. The experiences of the fictional characters are representations of real life experiences, while the factual and historical backdrop of the story provides the reality and truth that make the story itself real and true.

When it is said that “life imitates art,” this is a reflection of the powerful role that art plays in shaping our reality. And of course, art similarly imitates life. In times of tyranny, fictional narratives can reveal truths and facts in a way that often escapes the notice of the tyrannical.

“Once you accept (the truth) then you’re able to do something about it,” observes John. “Until you’ve accepted it, you can’t.”

The truth is what breaks through the lies which is why all tyrannies fear truth most of all. The power of fiction lies in the fact that, through fictional narratives, truth can be discovered in a way that is Just Right for those still struggling to see it.

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787 – The dictatorship of the primitive | Salim Mansur

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Dec 012022
 


In an effort to describe and explain the madness forcing various versions of a “green agenda” upon us, our guest Salim Mansur recently found himself drawn to a series of essays originally compiled in Ayn Rand’s 1971 book “The New Left: The Anti-Industrial Revolution.” (re-released in 1999 as “Return of the Primitive” with additional essays by Peter Schwartz on the enduring legacy of the Left.)

“There is something fundamentally primitive in this malady, this profound sickness that has overtaken Western man,” laments Salim. “It was astounding. Everything that Rand wrote about is what we’re living through. This is not a new debate.”

Drawing upon Rand’s symbolic comparison of the Greek gods Apollo and Dionysus with the Right and Left respectively, Salim is led unavoidably to the conclusion that the making of civilizations is an individual undertaking, not a collective one.

In the light of that reality, the collectivist wave now enveloping the West can itself be understood to be both the cause and symptom of civilization’s collapse. Continue reading »

738 – Just music that’s Just Right—singing in the reign (of tyranny)

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Dec 232021
 


On the heels of yet another Christmas season restriction on public ‘singing’ and ‘caroling’, it is only fitting that some actual voices singing – against the reign of tyranny – should be heard.

If it’s true that politics is ‘downstream from culture,’ then there’s a positive cultural development for freedom in the field of music. Many artists are musically voicing their opposition to the tyranny that has been imposed on the pretense of avoiding a dangerous virus.

From freedom of speech to ‘vaccines’ to the tyranny itself, our musical selection today features some of these artists and performers. It is encouraging to discover how so many are awake and aware of what is actually happening in this political pandemic.

That’s why everyone should be singing in the reign (of tyranny)! How? By featuring just the music that’s Just Right.

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589 – Instrumental in my own construction

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Jan 032019
 

Instrumental in my own construction

Whether in music or in life, we are all ‘instrumental in our own construction.’ In this second of our two holiday-season shows, show host Bob Metz winds up his hands-on personal musical demonstration when he reaches an ‘epiphany’ applicable to both music and to life in general.

You accept the musical cards as they are dealt you, and just as in life, you then dance to your own drummer and play your own tune. And if the tune you play is what makes you happy, then you’ll know it’s the tune that’s Just Right for you.

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