817 – Still singing in the reign (of tyranny) – just music that’s Just Right

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Jun 292023
 


As this year’s Canada Day (July 1) and Independence Day (July 4) approach, it is a tragedy that the freedoms once associated with these celebrations of nationhood no longer exist.

Canadians and Americans alike have found themselves living in a reign of tyranny – justified by fighting Covid and climate change, transgender ideology, racism, identity politics and a whole host of make-believe crisis’ created to hide the real crisis of tyranny itself.

One traditional way to protest tyranny has been to celebrate freedom through music and entertainment. We first featured our own sampling of voices “singing in the reign (of tyranny)” at the end of 2021; it is now mid 2023 and that tyranny still continues to reign.

Therefore in continuing the spirit of both protest and celebration, we are pleased to shower you with our second broadcast entirely dedicated to musical selections where the artists not only have something to “play” but something to “say” about the zeitgeist in which we live.

What better way to celebrate each country’s national heritage – of freedom – than with more music that’s Just Right.

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799 – Brave new normal | John C. A. Manley

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Feb 232023
 


“We have art that we do not die of reality” – Friedrich Nietzsche

Facing one’s fears in a dystopian world requires a kind of courage and bravery that most Canadians have rarely been forced to call upon. In his fiction novel, “Much Ado About Corona – a dystopian love story” our guest John C.A. Manley tells a tale about the emergence of such courage in the midst of an emerging Canadian police state.

Significantly, John’s novel is evidence of the powerful role that art and literature can have in reflecting the “Covid” reality of the world in which we live. Though its plot and characters are fictional, the novel reflects a deep truth about the reality in which Canadians today find themselves, in part thanks to incorporating the narratives and insights of shows like Just Right, which is included among the dozens of references cited in the book.

In helping him expose the “Covidian Lie,” John’s son Jonah has composed and performed a musical commentary of the same name, thereby adding an additional weapon to their arsenal of artistic persuasion.

Cultures are built and identified around the stories, songs, and philosophies that define them, and most such stories tend to blend fact with fiction. The experiences of the fictional characters are representations of real life experiences, while the factual and historical backdrop of the story provides the reality and truth that make the story itself real and true.

When it is said that “life imitates art,” this is a reflection of the powerful role that art plays in shaping our reality. And of course, art similarly imitates life. In times of tyranny, fictional narratives can reveal truths and facts in a way that often escapes the notice of the tyrannical.

“Once you accept (the truth) then you’re able to do something about it,” observes John. “Until you’ve accepted it, you can’t.”

The truth is what breaks through the lies which is why all tyrannies fear truth most of all. The power of fiction lies in the fact that, through fictional narratives, truth can be discovered in a way that is Just Right for those still struggling to see it.

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787 – The dictatorship of the primitive | Salim Mansur

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Dec 012022
 


In an effort to describe and explain the madness forcing various versions of a “green agenda” upon us, our guest Salim Mansur recently found himself drawn to a series of essays originally compiled in Ayn Rand’s 1971 book “The New Left: The Anti-Industrial Revolution.” (re-released in 1999 as “Return of the Primitive” with additional essays by Peter Schwartz on the enduring legacy of the Left.)

“There is something fundamentally primitive in this malady, this profound sickness that has overtaken Western man,” laments Salim. “It was astounding. Everything that Rand wrote about is what we’re living through. This is not a new debate.”

Drawing upon Rand’s symbolic comparison of the Greek gods Apollo and Dionysus with the Right and Left respectively, Salim is led unavoidably to the conclusion that the making of civilizations is an individual undertaking, not a collective one.

In the light of that reality, the collectivist wave now enveloping the West can itself be understood to be both the cause and symptom of civilization’s collapse. Continue reading »

738 – Just music that’s Just Right—singing in the reign (of tyranny)

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Dec 232021
 


On the heels of yet another Christmas season restriction on public ‘singing’ and ‘caroling’, it is only fitting that some actual voices singing – against the reign of tyranny – should be heard.

If it’s true that politics is ‘downstream from culture,’ then there’s a positive cultural development for freedom in the field of music. Many artists are musically voicing their opposition to the tyranny that has been imposed on the pretense of avoiding a dangerous virus.

From freedom of speech to ‘vaccines’ to the tyranny itself, our musical selection today features some of these artists and performers. It is encouraging to discover how so many are awake and aware of what is actually happening in this political pandemic.

That’s why everyone should be singing in the reign (of tyranny)! How? By featuring just the music that’s Just Right.

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589 – Instrumental in my own construction

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Jan 032019
 

Instrumental in my own construction

Whether in music or in life, we are all ‘instrumental in our own construction.’ In this second of our two holiday-season shows, show host Bob Metz winds up his hands-on personal musical demonstration when he reaches an ‘epiphany’ applicable to both music and to life in general.

You accept the musical cards as they are dealt you, and just as in life, you then dance to your own drummer and play your own tune. And if the tune you play is what makes you happy, then you’ll know it’s the tune that’s Just Right for you.

588 – The esthetics of music – On a personal note

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Dec 272018
 

keyboard

The appreciation of music is a completely subjective experience and could not be otherwise. Music elicits an emotional response at the moment of apprehension, which is one of the things making it such a powerful force, both personal and social. In the field of philosophy, music is found under the category of esthetics.

Over our next two holiday-season shows, we’ll be presenting a hands-on personal music demonstration by Just Right host Bob Metz. As he performs a few original instrumentals on his 2014 Christmas gift – an electronic ‘piano’ keyboard – Bob also reflects on music’s parallels to the larger world of life itself.

It’s a personal story about a personal musical journey, one unlike any other we taken on the show before, but one we trust you’ll still find to be Just Right!

DMS 041 – The special Christmas episode

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Dec 232018
 

What makes this Christmas particularly ‘special’ is that Danielle is able to be here to share the season with us. Last year, as listeners to December 13th’s Just Right discovered, Danielle spent her Christmas hospitalized in an intensive care unit with little expectation of survival. This year, she opens the show with a reminder that “the corpse still has the floor” – citing a line from one of her favorite Christmas movies, The Ref.

Indeed, Christmas is that time of year when Christmas movies and music become a hot topic of discussion as people cite their favorite and least favorite entertainment representatives of the season. Added to the usual disagreements over which songs/movies are the best or worst, has been the inappropriate but inevitable racist/sexist narratives pushed by the social justice warriors who are oblivious to the original Christmas spirit underlying the targets of their criticisms.

From the controversy surrounding the song, ‘Baby It’s Cold Outside,’ to social justice concerns about the ‘bullying’ in Rudolf the Red Nosed Reindeer, the Christmas season is becoming the silly season.

And on the seasonal matter of giving and receiving, while Robert suggests that to say ‘it is better to give than to receive’ represents a moral inequity, Danielle interprets ‘better’ simply as ‘easier’ – which may itself ‘present’ an inequity of a different kind. Any way you look at it, whether giving or receiving, it’s always best to do so in the spirit that’s Just Right for the Christmas season.

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